Volume 4,Issue 1
The Role of the Handling of the Real and the Illusory in Ink and Brush in Ink-wash Figure Painting in Expressing the Characters' Expressions
In traditional Chinese painting, ink-wash figure painting is an important branch. Its unique brush and ink language plays an irreplaceable role in shaping character images and conveying inner emotions. This article explores the influence of the handling of brush and ink reality and illusion in ink-wash figure painting on the expression of character expressions. Based on the analysis of classic traditional ink-wash figure paintings, this paper studies the application of brush and ink techniques such as the combination of reality and illusion, and the interplay of density and sparseness in shaping figure images and expressing figure expressions. The results show that the appropriate handling of reality and illusion can enhance the sense of space and layering in the picture and highlight the characteristics of figure expressions. The brush and ink technique of the interplay of reality and illusion can create a rich artistic conception to convey the inner emotions of the figure. The treatment technique of combining the real and the illusory can highlight the key points and thereby highlight the personality traits of the characters. This article also discusses the innovative application of the handling of the real and the illusory in ink and brush in modern ink-wash figure painting creation and the pursuit of balance between tradition and modernity. Research shows that the rational application of brush and ink, as well as the techniques of handling the real and the illusory, can effectively enhance the artistic expressiveness of ink-wash figure painting and provide an important means for artists to create vivid and lively figures.
[1] Zhang X C, 2024, From Form to Meaning. Supervisor: Li Yong. Shandong University of Art & Design.
[2] Xu J Q, 2024, References for Realistic Ink Figure Painting. Supervisor: Zang Xinming; Dong Zhimin. Shanxi University.
[3] Peng C, 2024, An Exploration and Application of Brush and Ink Language in Contemporary Ink Figure Painting. Supervisor: Wang Ying. Shanxi Normal University.
[4] Guo Z J, 2024, Analysis and Practical Application of Jiang Zhaohe's Realistic Ink Figure Painting Techniques. Supervisor: Wang Kang. Taiyuan Normal University.
[5] Guo L J, 2024, Research on the Artistic Expression of Ink Figure Painting. Supervisor: Wang Xiaozhen; Wang Wancheng. Northwest Minzu University.
[6] Zhang Y Y, 2024, Research on the Formal Language of Contemporary Expressive Ink Figure Painting. Supervisor: Tan Chongzheng. Hubei University.
[7] Yu J Y, 2024, The Application of Decorative Colors in Realistic Ink Figure Painting "Harvest". Supervisor: Jiang Shiguo. Hebei Normal University.
[8] Chen Z Q, 2023, A Brief Analysis of the Innovative Expression Forms of Brush and Ink Language and Inscriptions in Contemporary Chinese Ink Figure Painting. New Beauty Domain, (07): 13-15.
[9] Chen B Y, 2023, Research on the Brush and Ink Language of Modern and Contemporary Ink Figure Painting and Its Application in Personal Creation. Supervisor: Liu Jia. Soochow University.
[10] Liu X Z, 2023, Research and Application of Brush and Ink Modeling Language in Contemporary Ink Figure Painting. Supervisor: Sun Jing. Shandong University of Technology.
[11] Jin Q F, 2023, The Era of Brush, Ink, Light and Shadow: Thoughts and Reactions on the Form of Light and Shadow in Ink Figure Painting Teaching at the Central Academy of Fine Arts in the Middle of the 20th Century. Art Literature, (04): 2-4.
[12] Tan J L, Yang S, 2023, "Brush and Ink Should Follow The Times" - An Analysis of the Contemporaneity of Jiang Zhaohe's Ink Figure Paintings. Collection & Investment, 14(02): 12-14.
[13] Guo S, 2023, Visual Aesthetics and Application of New Technologies in Contemporary Ink Figure Painting. Screen Printing, (02): 99-101.
[14] Qi S D, 2022, Analysis of the Brush and Ink Interest in Contemporary Ink Figure Painting. Comedy World (Second Half of the Month), (12): 40-42.
[15] Zhang J C, 2022, Analysis of the "Calligraphic Nature" of Contemporary Ink Figure Painting. Supervisor: Shen Huiqi; Wang Xiaohui. Beijing Institute of Fashion Technology.
[16] He S L, 2022, The Brushwork and Modeling of Ink Figure Painting: My Creative Discussion. Beauty and Times (China), (10): 129-131.